- Chiaroscuro lighting: meaning light on dark. connoting surrealism and adding viewing interest to the mise-en-scene.
Examples:
- Noir (dark) non ambiant (artifical lighting) lighting: connotes fear and adds visiual interest to the audience keeping them engaged.
Example: "Sin City"
- Wet Shiny Streets: connoting nightmare and also used for reflecting low levels of chiaroscuro lighting. Example: "Once Upon a Time in America" - directed by Sergio Leone (1984)
(to add clip/ shot of flashback scene while soundbridge of phone ringing)
- Long shadows: reinforcing the connotions of nightmare or suggesting of a sense of a mysterious presence.
- Unglamourous, decaying locations: connoting corruption.
Examples:"The Third Man" (1949)
- Claustraphobic spaces: connoting entrapment.
Examples: "The Third Man"
Wednesday, 24 October 2012
Tuesday, 23 October 2012
Femme Fatale - Generic Conventions In The Thriller Genre.
Femme fatale: a dangerous, deviant, glamourous and or manipulitive women.
Dictionary Definition:
- Femme fatale is considered one of the earliest examples of the film industrry portraying a strong female character.
- Femme fatale’s often meet a dramatic end within film for example:
- Femme fatale has developed throughout time and many contemporary representations have come from it. Fem fatale focusing more on the strong women rather than the deviant women subdued by domesticity/ marriage and was often punished or killed off.
Examples:
- Barbara Stanwyck in "Double Indemnity" (1944)
- One of if not the earliest examples of a modern femme fatale in film.
- Rita Hayworth in “Gilda” (1994) (classic fem fatale)
- Lisbeth Salander in "The Girl With The Dragon Tattoo" (modern fem fatale)
-Director: Niels Arden Oplev
Why might the femme fatale be considered a misognist representation of gender?
(not finished)
Dictionary Definition:
1. A woman of great seductive charm
who leads men into compromising or dangerous situations.
2. An alluring, mysterious woman.
(source): www.thefreedictionary.com/femme+fatale
- Femme fatale is considered one of the earliest examples of the film industrry portraying a strong female character.
- Femme fatale’s often meet a dramatic end within film for example:
- Femme fatale has developed throughout time and many contemporary representations have come from it. Fem fatale focusing more on the strong women rather than the deviant women subdued by domesticity/ marriage and was often punished or killed off.
Examples:
- Barbara Stanwyck in "Double Indemnity" (1944)
- One of if not the earliest examples of a modern femme fatale in film.
- Rita Hayworth in “Gilda” (1994) (classic fem fatale)
- Lisbeth Salander in "The Girl With The Dragon Tattoo" (modern fem fatale)
-Director: Niels Arden Oplev
Why might the femme fatale be considered a misognist representation of gender?
(not finished)
Preliminary Task Evaluation
What planning did you do?
In the planning stages our group brainstormed ideas and made a story board using the ideas we made however prior to this we had been practising with the cameras. Although we found out later on that where we had planned to shoot we could not shoot which meant we had to slightly change our plan (we should be aware of this in the making of our thriller opening).
Finally before the shoot we came up with a clear narrative structure using a shot list and discussed and practised conversation around the topic of coke. I think the way our group planned went well as our ideas evolved as we went through the planning. Our roles within the group changed from our originally plan as I played the dramatic exit role and Laura played the other when as the group felt it would be more realistic.
The use of a shot list made shooting a lot more clear and gave us an idea of how we wanted each shot to look making the process more straightforward. Our planning also made what shots to take clear and how to take them without breaking the 180 degree rule. I think we could have improved by planning a script of the conversation would have been a good idea as we had to shoot the conversation a few times to get it right as none of us are very good actors. I think a script would have made the conversation more fluid and wouldn’t have been that much work. I think my group planned sufficiently for the task keeping in mind the three continuity rules and have learnt many things that we can use when planning the thriller such as, to keep things simple and check if we can shoot where we plan to.
What camera skills did you develop?
Although I did not film the final preliminary (acting) I played around with some shots and as a group we decided what shots were most effective where. Before filming properly we all had a chance to practise filming and try out the use of different shots. Through practising with the cameras I now understand how the cameras we use work and how to use camera angles/shots to portray certain meaning such as worm’s eye view shot connoting fear within the mise-en-scene and allowing audience to view in the characters eyes showing their vulnerable perspective.
I now feel after doing the task reasonably confident with basic camera skills and confident of my understanding of what shots are most effective to convey certain emotions or genre conventions. I think I should continue practising with the cameras to make the filming of our thriller opening as successful and smooth as possible. I think we achieved effective use of shots however without connoting the meanings as this was just a beginning task without any further meanings.
(adding specific shots when it is uploaded)
What editing skills have you developed?
I have had some experience with using editing software previously however the programme had been updated and the layout changed so took some getting used to. I think that I and Laura worked well together as editing partners as we both greatly contributed and helped each other out so we both understood what was going on. I developed many skills such as adding transition like fade to black in between shots, adding in and out points, making titles and changing the volume of certain points in film etc... I think I need to play around with the editing software more and try out different transitions and get more familiar with it for the editing of our thriller also learn how to add music to the film.
Monday, 22 October 2012
Anna Karenina packaging
How is Anna Karenina packaged to appeal
to a range of audiences and build upon past success?
“Anna Karenina” is a literary based
historical period drama set in late nineteenth century Russia. Directed by Joe
Wright and produced by working title the film is packaged to appeal to a range
of audiences. Working title uses stars (a class/ well known actors) to expand
the audience for example British actor Aaron Taylor Johnson previously seen in “Angus
Thongs and Full Frontal Snogging” and “Nowhere Boy”. Aaron Johnson is a good choice in this type
of film as it widens the audience as he has a wide fan base and appeals to a
younger (usually female) audience. British actor Keira Knightly also stars in
the film who tends to play in a range of films from high concept blockbusters (“Pirates
of the Caribbean”) to literary and historical romantic dramas just like “Anna
Karenina” and she has previously worked with working title staring in similar
film before such as “Pride and Prejudice” and “Atonement”. Kiera Knightly is a
good choice as she has a fan base behind her and it builds upon the previous successes
of her previous working title films. Knightly is also suiting to the role as
she suits rich characters and has an international face in film with experience
in period drama.
Jude Law is the final star previously seen in
“Sherlock Holmes” and “Repo Men” etc. With Jude Law follows another fan base and
is known for his acting in other genres which widens the audience. “Anna Karenina”
appeals to the literary adaption audience with the original book being written
by Leo Tolstoy a Russian novelist who mainly wrote nineteenth century epic
novels. Tom Stoppard is a British playwright who is a establishment writer appealing
to audiences aged around 50 further expanding the audience also known for his art house style appealing to art house (cinema
city) audience. Finally the director of “Anna Karenina” Joe Wright is a good
choice for working title due to experience with working title and Kiera
Knightly with similar genres of film in the past (“Atonement” and “Pride and Prejudice”).
Working title build upon previous successes with the film by trying to widen
the target audience and by making it a cinematic experience focusing on film
making and art house style.
Wednesday, 10 October 2012
Preliminary Task Planning
Task: the preliminary task was to produce a short peice of film in which a character enters and room and holds a conversation which becomes dramatic resulting character leaving dramaticly.
Things to remember: match on action, shot reverse shot and 180 degree rule.
Group and responsibilitys:
Jake Austin (me): actor
Laura Watson: actor
Amy Sutton: director
Christiana Moffatt: camera
Location: City of Norwich School - arc, science corridor and media room.
Props:
-can of coke (pound to buy the coke)
-work folder
Shot list:
- Long shot of me entering Arc to establish location, camera follows me to vending machine
- Camera zooms in on my hand pressing the vending machine buttons then follows down so audience can see him taking the coke out of the machine
- Long shot of me leaving Arc
- Match on action of me coming through corridor doors from outside
- over the shoulder of me entering media room
- Cuts to me being filmed from Laura's perspective as he walks over to her and sits down
- Conversation starts using shot reverse shot - Laura telling me not to drink coke
- Me being filmed from Laura's perspective as i get up to storm out
- Match on action - over the shoulder of me as he slams the door
Monday, 8 October 2012
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