Wednesday, 12 December 2012

How Tarantino establishes thriller genre in the opening sequence of “Kill Bill”.

How Tarantino establishes thriller genre in the opening sequence of “Kill Bill”.

-          Auteur director: Quinton Tarantino

Camera Angles:
-          Close up of Bride’s face identifying audience with characters emotions (agony/half dead) as well as establishing the Bride as the main character.


-          Close up of Bill’s feet building suspense with each footstep as the enigma (Bill) gets closer to the bride.

Lighting:
-          Black and white pallet, noir lighting paying tribute to classic film noir as well as adding aesthetic pleasure to the mise-en-scene and establishing genre of film.
-          Black and white noir lighting showing/establishing the scene as a flashback- classic convention used by Tarantino with his circular narratives.
Enigma:
-          Why is she in such pain? What happened before?
-          Handkerchief with Bill’s name on  building the enigma further without identifying his face building suspense further.


-          Hear bill’s voice “Do you find me sadistic?” (Suggesting he might me a Sadist) giving more away around enigma without revealing.
-          Bride reveals at end of scene that Bill is the father of her baby revealing more of Bill, Bill then shoots her showing his coldness of morality.

Sound:
-          Sound bridge in beginning of heavy breathing establishing feel and suspense before scene comes in.
-          Diegetic sound of footsteps building suspense.
-          “It’s your baby” adding new twist and leaving scene with cliff hanger gripping the audience to keep watching.
-          Soundtrack in opening: Nancy Sinatra- Bang Bang (my baby shot me down): connoting Bill and Brides previously been together. Brutal/ shocking gun shot at end of scene kicks in the soundtrack. “Bang bang he shot me down” representing Bill shooting bride.
-          Soundtrack: Nancy Sinatra Daughter of Frank Sinatra  who was thought to have been involved in the underworld of organised crime- links with mafia further establishing genre of film showing Tarantino’s knowledge of not just film but also music.
Location:
-          Unglamorous abandoned locations (juxtaposed in next scene with perfect looking house.)
Costume/Props:
- Bill: Big cow boy boots inferring he may be a redneck showing his lack of morality and how he believes he is better than everyone.
-          Handkerchief with Bill’s name on showing his egotistical personality possibly representing he is a narcissist (meaning totally obsessed with self – control freaks – dangerous people. Deriving from the Greek myth.)

Next scene notes:
-           Fight scene establishes hybrid genre – action/adventure (not quiet grounded in reality)
-          Tarantino challenges classic gender representations of both thriller and action genre by having two women fight rather than men.
-          Little girl coming home during fight scene reminds audience of the realism of the films – although action adventure and not completely in reality (defying gravity and not dying etc.) the girl coming home gives a sense of returning to reality.
 



Tuesday, 4 December 2012

"Witness" 1985 by Peter Weir

“Witness” (1985) : How Peter Weir establishes the thriller genre in the opening scenes.

Description:
-      Little boy from Amish background journeys to city with his mother (the unknown) and in the train station train is cancelled entrapping them in the city and the boy witnesses a gruesome murder in the toilets and is then questioned by the police (police not sticking to regulations completely showing police corruption)


Mise-en-scene:
-      Suspense builds as each toilet door is opened in search of witnesses (the boy). Entrapment as boy is stuck in toilets.


-      Props in toilet scene: gun and knife straight away showing classic thriller conventions.




Location:
- Claustrophobic places connoting entrapment and a sense of nightmare. (For example the toilet scene and the boy trapped in the toilet cubicles during the murder)

- The city represented as a dystopia (similar to the dystopia in “Once Upon a Time in America” and “Essex Boys”) (wet shiny street in city further affirming the connotation of dystopia)

- “Happy Valley” (sign in city when car stops) ironic showing further the dystopia.

- Philadelphia station statue of angel holding a dying man possibly representing the angel being the boy’s protector in the future.

- Claustrophobic unglamorous locations connoting criminality, entrapment, corruption and moral decadence of the city and its people in contrast with innocent Amish boy.

- isolated, deserted city at night.


Lighting:
-      Wet shiny streets connoting sense of nightmare/ unreality (dystopia). Used to reflect low levels of chiaroscuro lighting.

-      Chiaroscuro lighting (light on dark)


Sound:
-      Diegetic sound of water after murder building suspense further.


Camera Angles:
-      Low angle shot of train making it feel quiet menacing representing how menacing the city they are on the way to is (dystopia).

-      Over the shoulder high angle long shot showing the point of view of angel statue like the angel is watching down on the boy.

-      Shot of boy going towards toilet door alone (vanishing point of toilet door) (child going in to vanishing point representing going in to the unknown. (Shot possibly rule of thirds of vanishing point…?)

-      Close up of child’s eye as he witness’s the murder placing the audience in the eyes of the witness. Then a point of view of the action in the boy's eyes.

-      Close up’s used to position audience with the characters/ action (identifying with characters emotions)


-      Shot of boy trying to lock the door and it not locking connoting nightmare.

- Shot of killer searching for wittness with low angle of just feet seeing inside cubicle from below building suspense.

 
-      Shot of boy standing on toilet with body shaped as crucifix possibly representing how the statue of angel is looking out for him, good vs. evil.



The murder scene:




- interesting shot further in movie showing police and political corruption: